The drawings assemble fragmented forms of knowledge gathered across different geographies. Each community contributes its own forms, techniques, material practices and oral histories, reflecting how a ceramic tradition historically sustained and transmitted by women has continued to develop within distinct ecological, social and historical contexts.

Together, the drawings function as cartographies of the research, where community narratives, archaeological evidence, literature and artistic research complement one another. Rather than reconstructing a single historical narrative, they consider how this ceramic lineage has been shaped by historical and social developments across Atlantic geographies.